FORE: "There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of lifehow they cook their food, how they eat it, how they work, how they playin fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?
SHOES FALL 2014
THREE:"We found another fine bridge on this part of the road, and our guide said it was called the 'Bridge of the Cloudy Hills,' because the clouds frequently hung over the hills in the distance. The Chinese are very fond[Pg 384] of fanciful names for their bridges and temples, and frequently the name has very little to do with the structure itself. I am told that there is a bridge in the south of China with exactly the same name as this, and not far from it is another called the 'Bridge of the Ten Thousand Ages.' We have seen the 'Temple of Golden Happiness' and the 'Bridge of Long Repose.' We shall be on the lookout for the 'Temple of the Starry Firmament,' and probably shall not be long in finding it. Strange that a people so practical as the Chinese should have so much poetry in their language!